KATHLEEN RYAN

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Press information

Guest Curator

Jasper Sharp

Assistant Curator

Ifee Tack

 

KATHLEEN RYAN at the Hamburger Kunsthalle is the US artist’s (b. 1984) first museum exhibition in Germany. A selection of 30 sculptural works traces the evolution of Ryan’s artistic practice from 2014 to the present. Ryan crafts fascinating, mostly larger-than-life, monumental objects, including flowers, fruit, vegetables, jewellery, spider webs and flocks of birds, out of found, collected and reused materials ranging from pins, plastic beads and shells to fishing poles, rubber tires and car bonnets. The artist often chooses materials that are utterly at odds with the actual nature of the objects they represent: The mould on the skin of a peach – Bad Peach (Bite) from 2022 – is meticulously recreated with hundreds of semi-precious stones; the skin of oversized pieces of melon – Bad Melon (Big Chunk) from 2020 – is made from a dismantled Airstream motorhome; grapes – Bacchante from 2017 – are cast from heavy concrete; necklaces – Pearls from 2017 – are strung from bowling balls; and towering neoclassical columns, by contrast, are composed of filigree glazed ceramic plates – The Rise and Fall from 2014.
 
Ryan’s works evoke a mix of wonder, humour and disgust, prompting reflection on wealth and waste, decadence and decay, and the cycle of consumption and life. At the same time, the imaginative whimsy of the objects suggests the possibility of renewal and a second chance.
 
The exhibition space on the first floor of the Galerie der Gegenwart, with its windows running all around, offers an open and light-filled setting for discovering works that have never before been shown in Germany, some of them produced by the artist especially for the Hamburg show. Two of Ryan’s artworks are displayed above the large staircase at the historical main entrance to the Kunsthalle, where their surprising presence contrasts with the Wilhelminian-style interior.
A catalogue will be published during the course of the exhibition.
 
Kathleen Ryan (b. 1984 in Santa Monica, California, USA) lives and works in New York. She studied archaeology and art and completed the prestigious Master of Fine Arts program at the University of California, Los Angeles. Ryan’s work has been shown in solo and group exhibitions mainly in the USA. She was awarded the Rosa Schapire Art Prize by the Freunde der Kunsthalle e. V. in 2020.

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Installationsansicht der Ausstellung KATHLEEN RYAN, Hamburger Kunsthalle, 17. Mai bis 11. August 2024 © Kathleen Ryan © Hamburger Kunsthalle, Foto: Stefan Altenburger Photography
Installationsansicht der Ausstellung KATHLEEN RYANHamburger Kunsthalle, 17. Mai bis 11. August 2024
Kathleen Ryan (*1984), Bad Melon (Big Chunk) (Detail), 2020, 96,5 x 124,5 x 157,5 cm, Moore Family Collection, New York © Kathleen Ryan. Courtesy the artist and and François Ghebaly, Foto: Jeff McLane
Kathleen RyanBad Melon (Big Chunk) (Detail), 2020
Installationsansicht der Ausstellung KATHLEEN RYAN, Hamburger Kunsthalle, 17. Mai bis 11. August 2024 © Kathleen Ryan © Hamburger Kunsthalle, Foto: Stefan Altenburger Photography
Installationsansicht der Ausstellung KATHLEEN RYANHamburger Kunsthalle, 17. Mai bis 11. August 2024
Kathleen Ryan (*1984), Daisy Chain, 2021, 388,6 x 325,1 x 121,9 cm © Kathleen Ryan. Courtesy the artist and Karma, Foto: Lance Brewer
Kathleen RyanDaisy Chain, 2021
Kathleen Ryan, Bad Cherries, 2021, 250,19 x 254 x 280,67 cm, Private Collection of Timothy C. Headington  © Kathleen Ryan. Courtesy the artist and Karma, Foto: Lance Brewer
Kathleen Ryan Bad Cherries, 2021
Installationsansicht der Ausstellung KATHLEEN RYAN, Hamburger Kunsthalle, 17. Mai bis 11. August 2024 © Kathleen Ryan © Hamburger Kunsthalle, Foto: Stefan Altenburger Photography
Installationsansicht der Ausstellung KATHLEEN RYANHamburger Kunsthalle, 17. Mai bis 11. August 2024
Kathleen Ryan (*1984), Generator II, 2022, 124,46 x 118,11 x 88,9 cm, Fundación MEDIANOCHE0 © Kathleen Ryan. Courtesy the artist and Karma, Foto: Lance Brewer
Kathleen RyanGenerator II, 2022
Kathleen Ryan, Bad Cherries, 2021, 250,19 x 254 x 280,67 cm  Private Collection of Timothy C. Headington  © Kathleen Ryan. Courtesy the artist and Karma, Foto: Lance Brewer
Kathleen Ryan (*1984)Bad Cherries, (Detail) , 2021
Kathleen Ryan (*1984), Hanging Fruit, 2018, 183 x 48,2 x 43 cm © Kathleen Ryan. Courtesy the artist, Foto: EPW Studio
Kathleen RyanHanging Fruit, 2018
Kathleen Ryan (*1984), Bad Melon, 2020, Installationsansicht in der François Ghebaly Gallery, Los Angeles, 2020 © Kathleen Ryan. Courtesy the artist and and François Ghebaly, Foto: Jeff McLane
Kathleen RyanBad Melon, Installationsansicht in der François Ghebaly Gallery, Los Angeles, 2020
Kathleen Ryan (*1984), Untitled (Chandelier), 2015, 139 x 152 x 170 cm, Collection of Beth Rudin DeWoody © Kathleen Ryan. Courtesy the artist and Josh Lilley, Foto: Jeff McLane
Kathleen RyanUntitled (Chandelier), 2015
Kathleen Ryan (*1984), Bad Melon (Big Chunk) (Detail), 2020, 96,5 x 124,5 x 157,5 cm, Moore Family Collection, New York © Kathleen Ryan. Courtesy the artist and and François Ghebaly, Foto: Jeff McLane
Kathleen RyanBad Melon (Big Chunk) (Detail), 2020
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